Examples of Key Literary Terms Essay Example for Free

Examples of Key Literary Terms Essay Farce: A comedy; a short play, in which both sub ­tle humor and hilarity are developed through improbable situations, exaggeration and (often) ridiculous antics. The example in our text was: I’m going! A comedy in one act, there was never a doubt that Henri was going to the races from the very start, no matter what Jeanne (Henri’s wife) had to say. The comedy behind this was Henri and Jeanne arguing back and forth about Henri going to the races without Jeanne, then a sudden twist when Jeanne finally decided that she would go visit her friend (Juliette) and Henri could go to the race. Well, then Henri didn’t want Jeanne to do that so he would not leave until Jeanne told him she would stay home alone. This demonstrated (Farce) because the author used humor and ridiculous antics throughout his play. Imagination: The human power that shapes artistic expression; it enables a writer’s work to become an expression of meaning in our world, and allows readers to engage in identifying with what the writer’s work has to say about things that matter. The example given in our text for Imagination was: The Secret Life of Walter Mitty. Walter had a very vivid imagination, throughout his story he was a commander in an 8 engine Navy hydroplane, a famous surgeon helping a friend of President Roosevelt, an accused witness in a court room trial, a captain in a war plane and finally finds himself fearlessly facing a firing squad; all while driving his wife to the city and waiting for her to have her hair done. This story demonstrated a lot of artistic expression, and you could almost get lost in what was actually real and what was imagined. Image: A distinct representation of some ­thing that can be experienced and understood through the senses (sight, hearing, touch, smell and taste), or the representation of an idea. Writers use precise language in developing images, or imagery, in literature. The example given for Image in our text was: Dog’s Death. The family dog was sick and no one noticed until it was too late as the dog died on the way to the vet. Upon the family returning home they notice diarrhea across the kitchen floor where the dog had tried to use the paper they had lay on the floor for it. This demonstrated (image) through the sense of sight, even though the dog had died, what it had left behind was a very sad reminder of it. Song: A lyrical musical expression, a source of emotional outlet common in ancient communi ­ties and still influential in contemporary culture. The example given for (song) in our text was: Dream Boogie. Basically it is a song, songs and music are expressions of what people are feeling and since we are all human we often have many of the same feelings as others. My son is a song writer and he mostly writes depressing love songs because of all the girls that have done him wrong. I can relate to his music because of all the men that have done me wrong. Clugston, R. W. (2010). Journey into literature. San Diego, CA: Bridgepoint Education, Inc.

Elder Berries: Analysis of Sambucas Nigra Essay -- analgesic, antip

There are many herbal treatments available to patients, but few have been used longer than sambucas nigra, otherwise known as elder berry. Well known for its analgesic, antipyretic, anti-inflammatory, diuretic, laxative immune boosting qualities, elder berry has been used for multiple health alterations (Ulbricht, Basch, Cheung, Goldberg, Hammerness, Isaac, &...Wortley, 2014). In this paper the background, pharmacology, contraindications, current research and recommendations for use regarding elder berries will be discussed. Elder berries are a versatile fruit that has multiple applications in the healthcare field, warranting an increased role in patient care. Background The sambucas genus contains many different plants, with the sambucas nigra shrub occurring in Europe and North America. Both the European variety (nigra) and the North American variety (canadensis) are often examined concurrently due to their similarities in use and pharmacology . Ulbricht et al. (2014) explain that the European variety grows up to 30 feet with the flowers and leaves used as flavouring, an analgesic, anti-inflammatory, antipyretic and diuretic and the bark is used as a laxative and emetic. They also state that traditionally, elder berries were used in England and Russia to ward off evil influences, witches, spirits and death. Fernandes, Marques, de Freitas, Mateus (2013) describe that dating as far back as ancient Egypt and the time of Hippocrates recipes for elder-berry based medications were found and extensively used to treat a multitude of ailments such as influenza, colds and sinusitis. Since it's early beginnings, elderberry has continued to be of use for the treatment of colds, flu, and fever in addition to burns, cuts and many other ailm... ...odchem.2013.05.033 Frank, T., Janssen, M., Netzet, G., Christian, B., Bitsch, I., & Netzel, M. (2007). Absorption and excretion of elderberry (Sambucus nigra L.) anthocyanins in healthy humans. Methods And Findings In Experimental And Clinical Pharmacology, 29(8), 525-533. Sambucol (n.d.). Sambucol Products. Retrieved from http://www.sambucol.ca/sambucol- products/ Ulbricht, C., Basch, E., Cheung, L., Goldberg, H., Hammerness, P., Isaac, R., & ... Wortley, J. (2014). An Evidence-Based Systematic Review of Elderberry and Elderflower (Sambucus nigra) by the Natural Standard Research Collaboration. Journal Of Dietary Supplements, 11(1), 80-120. doi:10.3109/19390211.2013.859852 Vlachojannis, J., Cameron, M., & Chrubasik, S. (2010). A systematic review on the sambuci fructus effect and efficacy profiles. Phytotherapy Research: PTR, 24(1), 1-8. doi:10.1002/ptr.2729

Stairway to Heaven Analysis

Stairway to Heaven† is a song that appears to have a little bit of everything that one would look for in music. Although it is greatly varied with many tempos and rhythms, it still produces a sound that people find enjoyable and among the most popular. As mentioned before, â€Å"Stairway to Heaven† can be divided into a number of sections. The first section lasts for about the first two minutes of the song. In this section, the dynamic Is piano-like and the tempo is quite slow, ranging from largo to adagio.An acoustic guitar plays a phrase that Is repeated and continued as lead anger Robert Plant begins his vocals about fifty seconds Into the song. An electric guitar then changes the tune which Is repeated In a strophic form manner and also with an adagio tempo. In total, this slow-moving section lasts for about four minutes. The second section of the song begins with the introduction of drums to accompany the electric guitar and vocals. This section is faster than the f irst, having a moderator tempo.The previous tune is still played albeit with some variation and a more lively sound. This includes the vocals, which also move faster with the instruments and sing a variation of the first section's vocals. There is still a strophic form contained in the second section, although the chorus is represented by the instruments rather than singing. About five and a half minutes into the song, the rhythm and melody of the song changes again. This next section contains no vocals, only the sounds of electric guitar and drums.A guitar solo played In an allegretto-allegro form dominates the section, which Is somewhat syncopated In the first half. The second half of the section is more organized. With a rondo form presented as BACKED and played by two electric guitars. In addition, the dynamic has dramatically changed from the beginning; it is no longer a soft rhythm but more similar to a mezzo forte dynamic. The final section of the song brings back vocals and a much faster tempo than the previous sections.The guitar now plays a hard rock phrase that repeats itself in the background of the vocals. The guitar and vocals go back and forth in ABA form for about forty seconds. Then, in the closing seconds of the song, one guitar plays a flowing phrase while another accompanies It with Its win tune until the last line of the song Is sung In a slow and soft tempo. The song Is composed of several forms. One Is strophic form; while not having a textual chorus, the song contains an Instrumental phrase that acts like a chorus in the first half of the song.There are also many rhythm for more than a couple of minutes. For all the sections of the song, there is polyphony among the vocals and instruments. Robert Plant sings his lines as if they were independent of the guitars, only being consistent with the pace but not the withy or pitches. The sections of the song, though vastly different, tend to transition to each other very well. The guitar is res ponsible for providing a bridge to each section, quietly changing the tempo and tune in between sections.The song is entirely in duple meter. This is easier to tell in the first couple sections of the song, where the guitar plays one quarter note after another in an adagio tempo. It is also in major form, especially the last sections. Although the first half of the song is slow and soft, it would still be insider to be in major mode based on the definition of the major key in the Western world. The beat of the song is hardly present in the first half because of the soft notes of the acoustic and electric guitar.However, as the transition from acoustic to hard rock is made, the beat's presence is greatly felt during the guitar solo and the last section of the song. Guitar and drums are the dominant instruments used in the song. It contains both acoustic and electric guitar, not often seen in songs from the sass-ass. The drums are only present in the second half of he song, and its in troduction signaled the transition from alternative to rock. The acoustic guitar is played during the intro to set up the rhythm for the song and is continued during the first vocal lines.This paves the way for the electric guitar to play a different tune with the same quiet feel. Then, during the second section, it gets faster and begins to sound more like a rock song. As it goes on, it changes tempo and rhythm and is eventually played fast and with passion. In addition, one is able to determine which notes the guitar will play as it is more organized than the earlier parts of the song where it was playing all different notes with different pitches and tempo.

Analysis of Ribena Using Titration - Free Essay Example

Sample details Pages: 1 Words: 434 Downloads: 10 Date added: 2017/09/12 Category Advertising Essay Did you like this example? Title: Analysis of Vitamin C in Ribena Using Titration Aim: The objectives of this experiment were to gain knowledge on how to titrate solution and determine amount of Vitamin C in Ribena. Results Table 1: Mass of Ascorbic Acid in Volumetric Flask Mass of empty bottle (g)21. 5922 Mass of empty bottle with ascorbic acid (g)21. Don’t waste time! Our writers will create an original "Analysis of Ribena Using Titration" essay for you Create order 6954 Mass of empty bottle (g)21. 5924 Mass of ascorbic acid used (g)0. 1002 Number of moles: (mass of ascorbic acid used)/(molecular mass of ascorbic acid) = 0. 1002g/(176. 10gmol-1) = 5. 9 x10-4 moles M1: concentration of stock ascorbic acidV1: volume in volumetric flask with stock solution M2: concentration of diluted ascorbic acidV2: volume in volumetric flask with diluted solution (M1 x 100)/1000 = 5. 69 x10-4 molesM1: 5. 69 x10-3 mol/L M1V1 = M2V2 5. 69 x10-3 mol/L x (10/1000) = M2 x (100/1000)M2: 5. 69 x10-4 mol/L Table 2: Standardization of NBS Titration numberRough 123 Final burette reading (ml)16. 8027. 0037. 2047. 30Â ±0. 10 Initial burette reading (ml)5. 4016. 8027. 2037. 20Â ±0. 10 Titre (ml)11. 4010. 8010. 0010. 10 Number of OK titres, N Sum of OK titres 2. 00 Average (ml)10. 5 Calculation: (10. 00+10. 10)/2 = 10. 05 M1V1 = M2V2 M1: concentration of diluted ascorbic acidV1: volume of diluted solution in conical flask M2: concentration of NBS V2: volume needed for titra tion 5. 69 x10-4 mol/L x (10/1000) = M2 x (10. 05/1000)M2: 5. 66 x 10-4 mol/L Table 3: Quantity of Vitamin C in Ribena Titration numberRough12 Final burette reading (ml)12. 2018. 6025. 00Â ±0. 00 Initial burette reading (ml)5. 7012. 2018. 60Â ±0. 00 Titre (ml)6. 506. 406. 40 Number of OK titres, N Sum of OK titres2. 00 Average (ml)6. 40 Moles of NBS: MV 5. 66 x 10-4 mol/L x (6. 40/1000) = 3. 62 x 10-6 moles M1V1 = M2V2 M1: concentration of NBS solution V1: volume of NBS needed for titration M2: concentration of Vitamin C in ribenaV2: volume of ribena added 5. 66 x 10-4 mol/L x (6. 40/1000) = M2 x (2/1000) M2: 1. 81 x 10-3 mol/L Moles of ascorbic acid: MV 1. 81 x 10-3 mol/L x (2/1000) = 3. 62 x 10-6 moles Moles of NBS: moles of Vitamin C = 3. 62 x 10-6: 3. 62 x 10-6 = 1: 1 Mass of ascorbic acid: molecular mass of ascorbic acid x number of moles of ascorbic acid = 176. 100 g/mol x 3. 620x 10-6 = 6. 370 x 10-4 g = 0. 637mg Concentration of ascorbic acid in ribena per 100ml:2. 000ml 0. 637 mg100ml 31. 5mg There are 31. 850mg of ascorbic acid in 100ml of ribena Discussion: Volume needed to satisfy minimum requirement of 60mg vitamin C: (60. 000mg/0. 637mg) x 2. 000 ml = 188. 383ml The calculated value of ascorbic acid is much higher than the value stated by manufacture which is 12mg/100ml. This may be due to inaccuracy during titration. A better technique that is by using high turbulence lay er chromatography will be able to determine the amount of ascorbic acid accurately. Reference: Douglas A Skoog, Donald M. West, F. James Holler. 1996. Fundamentals of Analytical Chemistry, 7th edition, US.

Battle of Santiago de Cuba in the Spanish-American War

The climatic naval battle of the Spanish-American War, the Battle of Santiago de Cuba resulted in a decisive victory for the US Navy and the complete destruction of the Spanish squadron. Anchored in Santiago harbor in southern Cuba, Spanish Admiral Pascual Cerveras six ships found themselves blockaded by the US Navy in the late spring of 1898. With the advance of American forces ashore, Cerveras position became untenable and on July 3 he attempted to escape with his squadron. Cervera was soon intercepted by American battleships and cruisers under Rear Admiral William T. Sampson and Commodore William S. Schley. In a running battle, the superior American firepower reduced Cerveras ships to burning wrecks. The loss of Cerveras squadron effectively cut off Spanish forces in Cuba. Situation Prior to July 3 Following sinking of USS Maine and the outbreak of war between Spain and the United States on April 25, 1898, the Spanish government dispatched a fleet under Admiral Pascual Cervera to defend Cuba. Though Cervera was against such a move, preferring to engage the Americans near the Canary Islands, he obeyed and after evading the US Navy arrived at Santiago de Cuba in late May. On May 29, Cerveras fleet was spotted in the harbor by Commodore Winfield S. Schleys Flying Squadron. Two days later, Rear Admiral William T. Sampson arrived with the US North Atlantic Squadron and after taking overall command began a blockade of the harbor. Rear Admiral William T. Sampson, USN. US Naval History and Heritage Command Commanders Fleets US North Atlantic Squadron - Rear Admiral William T. Sampson Armored Cruiser USS New York (flagship)Battleship USS Iowa (BB-4)Battleship USS Indiana (BB-1)Battleship USS Oregon (BB-3)Armed Yacht Gloucester US Flying Squadron - Commodore Winfield Scott Schley Armored Cruiser USS Brooklyn (flagship)Battleship USS TexasBattleship USS Massachusetts (BB-2)Armed Yacht USS Vixen Spanish Caribbean Squadron - Admiral Pascual Cervera Armored Cruiser Infanta Maria Teresa (flagship)Armored Cruiser Almirante OquendoArmored Cruiser VizcayaArmored Cruiser Cristobal ColonTorpedo Boat Destroyer PlutonTorpedo Boat Destroyer Furor Cervera Decides to Break Out While at anchor in Santiago, Cerveras fleet was protected by the heavy guns of the harbor defenses. In June, his situation became more tenuous following the landing of American troops up the coast at Guantà ¡namo Bay. As the days passed, Cervera waited for inclement weather to scatter the blockade so that he could escape the harbor. Following the American victories at El Caney and San Juan Hill on July 1, the admiral concluded that he would have to fight his way out before the city fell. He decided to wait until 9:00 AM on Sunday July 3, hoping to catch the American fleet while it conducting church services (Map). Spanish Navy armored cruisers Cristà ³bal Colà ³n (left) and Vizcaya. US Naval History and Heritage Command The Fleets Meet On the morning of July 3, as Cervera was preparing to break out, Adm. Sampson pulled his flagship, the armored cruiser USS New York, out of line to meet with ground commanders at Siboney leaving Schley in command. The blockade was further weakened by the departure of the battleship USS Massachusetts which had retired to coal. Emerging from Santiago Bay at 9:45, Cerveras four armored cruisers steered southwest, while his two torpedo boats turned southeast. Aboard the armored cruiser USS Brooklyn, Schley signaled the four battleships still on the blockade to intercept. A Running Fight Cervera began the fight from his flagship, Infanta Maria Teresa, by opening fire on the approaching Brooklyn. Schley led the American fleet towards the enemy with the battleships Texas, Indiana, Iowa, and Oregon in line behind. As the Spaniards steamed by, Iowa hit Maria Teresa with two 12 shells. Not wishing to expose his fleet to fire from the entire American line, Cervera turned his flagship to cover their withdrawal and directly engaged Brooklyn. Taken under heavy fire by Schleys ship, Maria Teresa began to burn and Cervera ordered it run aground. The remainder of Cerveras fleet raced for open water but was slowed by inferior coal and fouled bottoms. As the American battleships bore down, Iowa opened fire on Almirante Oquendo, ultimately causing a boiler explosion that forced the crew to scuttle the ship. The two Spanish torpedo boats, Furor and Pluton, were put out of action by fire from Iowa, Indiana, and the returning New York, with one sinking and the other running aground before exploding. End of Vizcaya At the head of the line, Brooklyn engaged the armored cruiser Vizcaya in an hour-long duel at approximately 1,200 yards. Despite firing over three hundred rounds, Vizcaya failed to inflict significant damage on its adversary. Subsequent studies have suggested that as much as eighty-five percent of the Spanish ammunition used during the battle may have been defective. In response, Brooklyn bludgeoned Vizcaya and was joined by Texas. Moving closer, Brooklyn struck Vizcaya with an 8 shell that caused an explosion setting the ship on fire. Turning for shore, Vizcaya ran aground where the ship continued to burn. Oregon Runs Down Cristobal Colon After more than an hours fighting, Schleys fleet had destroyed all but one of Cerveras ships. The survivor, the new armored cruiser Cristobal Colon, continued fleeing along the coast. Recently purchased, the Spanish Navy did not have time to install the ships primary armament of 10 guns before sailing. Slowed due to engine trouble, Brooklyn was unable to catch the retreating cruiser. This allowed the battleship Oregon, which had recently completed a remarkable voyage from San Francisco in the wars early days, to move forward. Following an hour-long chase Oregon opened fire and forced Colon to run aground. USS Oregon (BB-3). US Naval History and Heritage Command Aftermath The Battle of Santiago de Cuba marked the end of large-scale naval operations in the Spanish-American War. In course of the fighting, Sampson and Schleys fleet lost a miraculous 1 killed (Yeoman George H. Ellis, USS Brooklyn) and 10 wounded. Cervera lost all six of his ships, as well as 323 killed and 151 wounded. In addition, approximately 70 officers, including the admiral, and 1,500 men were taken prisoner. With the Spanish Navy unwilling to risk any additional ships in Cuban waters, the islands garrison was effectively cut off, ultimately dooming them to surrender.

The First Act Of Henrik Ibsen s A Doll House - 981 Words

The first act of Henrik Ibsen’s A Doll House introduces us to the main characters of the play: Mr. Torvald Helmer, his wife Nora, Dr. Rank, Mrs. Linde, and Mr. Krogstad. In this first act we are able to see what gender roles and gender systems are like in this society. The first scene opens up with Nora returning home from christmas shopping with a delivery boy who hands over a christmas tree to Nora’s maid, Helene. Nora tells Helene to make sure she hides the tree well and then gives the delivery boy an extra large tip. As the delivery boy leaves, Nora goes over to check if her husband is still home in his study, while discreetly eating some macaroons. When Torvald exits his study, the act truly begins to unfold. Act one continues with Nora wanting to show Torvald all of the christmas shopping she did while she was out. Torvald replies by subtly scolding Nora for spending too much money, calling her a â€Å"little spend thrift† (pg 785). Here we begin to see tha t Torvald, as the man of the house, holds power over the finances of the household. Nora replies that Torvald is making more money now and therefore they can manage to spend extra on christmas this year. Torvald reminds Nora that his first paycheck won’t be for another three months so they must use their money wisely until then. Nora, who often tends to behave in a very naive manner, doesn’t seem to think that it is a big deal and suggests that they just borrow money and pay it back when Torvald’s check comes in.Show MoreRelatedHenrik Ibsen s A Doll House1563 Words   |  7 Pages In the play, A Doll House by Henrik Ibsen, the title itself symbolizes the dependent and degraded role of the wife within traditional marriages. Ibsen portrayed the generous nature root into women by society, as well as the significant action of this nature, and lastly the need for them to find their own voice in a world ruled by men. Ibsen wrote this play in 1879, this is the era where women were obedient to men, tend the children until their husband came home, and stood by the Cult of DomesticityRead MoreAnalysis Of Henrik Ibsen s A Doll s House 1381 Words   |  6 PagesNora’s Transformation from Repression to Liberation in A Doll’s House The play in prose A Doll’s House is written by Henrik Ibsen, and set in Norway in 1879. By inserting symbols into the storyline, Henrik Ibsen reveals the theme of female submissiveness and male superiority during the 19th century and highlights character revelation in the play, namely through Nora’s transformation from being repressed to being liberated. Ibsen includes a variety of symbols throughout this work, specificallyRead MoreThe Feminist Movement Of Henrik Ibsen s Ibsen 1555 Words   |  7 PagesGranted that, Ibsen had disclosed that he was not consciously writing the play to support the feminist movement, nor did he have any intentions to motivate women to follow Nora’s footsteps. He actually had treated a Scandinavian who had followed Nora’s footsteps distastefully, and criticized her because she took her child when running away, instead of running away by herself (Templeton 35). The reason for his hypocritical attitude to the woman w as to protect himself from the many critics that wereRead MoreA Doll s House By Henrik Ibsen1291 Words   |  6 Pages A Doll s House by Henrik Ibsen, is a play that has been written to withstand all time. In this play Ibsen highlights the importance of women’s rights. During the time period of the play these rights were neglected. Ibsen depicts the role of the woman was to stay at home, raise the children and attend to her husband during the 19th century. Nora is the woman in A Doll House who plays is portrayed as a victim. Michael Meyers said of Henrik Ibsen s plays: The common denominator in many of IbsenRead MoreCritical Analysis of a Doll House1250 Words   |  5 PagesA Critical Analysis of A Doll House By Henrik Ibsen Henrik Ibsen s background provided him the insight to write the play A Doll House. In Britannica Biographies, Ibsen s father lost his business and the family s financial stability when Ibsen was a young child. Because of the family s financial misfortunes, at the age of 15, Ibsen was forced to leave home and venture out on his own. He supported himself meagerly as an apothecary s apprentice and studied at night to prepare for universityRead MoreA Feminist Literary Stance, Roles of Women in Henrik Ibsen’s Play A Doll’s House and George Eliot’s Novel Middlemarch1546 Words   |  7 PagesA feminist literary stance, roles of women in Henrik Ibsen’s play A Doll’s House George Eliot’s novel Middlemarch Henrik Ibsen’s A Doll’s House and George Eliot’s Middlemarch are based on events from their personal experiences. The events that lead Ibsen to feel the need to write A Doll’s House makes his approach on the feminist stance a bit more unusual from other writers. Ibsen shows his realist style through modern views and tones that are acted out by the characters in this infamousRead MoreHenrik Ibsen s A Doll s House933 Words   |  4 PagesA Hidden Identity In Henrik Ibsen’s play â€Å"A Doll’s House† the relationship between husband and wife, male and female, is portrayed in many ways. Female’s were seen as inferior and had very little expected out of them other then being a wife and mother, which is accurate for the time period Ibsen wrote the play in. This is evident in the relationship between the two main characters, Torvald and Nora Helmer. Torvald expects Nora to be a wife and mother first and foremost above being a human beingRead MoreSymbolism Of A Doll House By Henrik Ibsen937 Words   |  4 PagesSymbolism in A Doll House In Henrik Ibsen’s A Doll House, the play is framed around symbolism and its irony. Symbolism throughout the play acts as a subliminal foreshadowing, each individually hinting at the impending end. The irony is continually represented through Ibsen’s play between perception and reality - perception being the evident meaning of each symbol and reality, being the ironic opposite connotation exclusively in Nora and Torvald’s situation. Symbolism and its ironic opposite connotationRead MoreA Dolls House, Drama Analysis, Realism and Naturalism1235 Words   |  5 PagesA Dolls House, Drama Analysis, Realism and Naturalism Topic B: Character Nora Helmer frolics about in the first act, behaves desperately in the second, and gains a stark sense of reality during the finale of Henrik Ibsen’s A Doll’s House. Ibsen was one of a few pioneers of the new theatrical movement of realism, and accordingly he is often called the father of modern drama. The character of Nora lives in a dream world, a childlike fantasy, where everything is perfect, and everything makes senseRead MoreNora s Essence Of Individuality2065 Words   |  9 PagesAlba Zegarra WRT201- 106LS Professor Yerenburg 28 April 2017 Nora’s Essence of Individuality The main character Nora Helmer, in A Doll s House by Henrik Ibsen, becomes infatuated when trying to find her personal identity and sense of an individuality. As shown in Act I, she was looked upon as someone who was only worried about her status and wealth. She becomes easily enlightened with money as soon as she comes home from Christmas shopping, ready to show her husband, Torvald Helmer. Her husband

The Summer of the 17th Doll free essay sample

The Australian play, Summer of the Seventeenth Doll, set the foreground of a new chapter in Australian Theatre, and is still seen as an important factor in the context of its evolution. Written in the 1950s by Ray Lawler, it was a first for Australian theatre, and helped to eliminate the cultural cringe which had held Australian theatre back from its full potential. Summer of the Seventeenth Doll, also known as The Doll, presented to the public, a truly Australian play written by an Australian, with home grown actors, a first for its time. Australians were at last presented with a true and realistic representation of themselves which they could relate and sympathize to. This is why The Doll is seen as important in the context of Australian’s theatre evolution. 2) To understand its importance to Australian theatre one should consider the context prior to The Doll. In the early 1900s, before The Doll, and after the war, at a time when Australia was loosening its economic, social and cultural ties with England, Australia struggled with its own sense of self. We will write a custom essay sample on The Summer of the 17th Doll or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page This was major setback for development of national identity in Australian theatre, and was known as the cultural cringe, a term used to describe the lack of confidence in Australian cultural values and products. As a result, the best artists and playwrights were compelled to go overseas to gain recognition. Also, overseas playwrights and actors were imported, reinforcing the belief that ‘the best’ came from overseas. In time we will see The Doll changes this perception and encourages Australians to value their own culture and what it has to offer, and thus proving pivotal in Australian theatre history. In the period leading up to The Doll, most of the plays were of a melodramatic style, therefore proving that The Doll was important in the evolution of Australian theatre. Usually consisting of a collection of Australian stereotyped characters, the melodramatic style of production gave an unrealistic representation of Australia and its people. This was mainly due to an inability to represent the outback effectively on stage, especially with floods or fires. Therefore the productions were ineffective and failed it portray Australia in a realistic form. ) Another set back for Australian theatre was that playwrights had to be careful to use ‘cultured’ or ‘refined’ dialogue, with very few slang terms and little cursing. This was a reflection of the fear of plays being removed from the stage because of perceived immoralities or offences to public decency. As a result Australian theatre was unable to present a true reflection of the Australian language, and therefore failed to represent its own country in a true light. In contrast, Lawler was able to avoid these set backs and set an example for future Australian productions. Thus prior to The Doll, Australian theatre was unsuccessful and failed to measure up to the standards of overseas productions. As a result, the Australian Elizabethan Theatre Trust was established in 1954 with the aim to assist and promote the growth of Australian theatre. With raised funds and grants from the Australian Government, the Trust began funding and subsidizing Australian theatre productions. The Trust’s achievement was awe inspiring for Australian drama. Summer of the Seventeenth Doll was its first truly Australian play. 6) Its performances were sold out throughout Australia, and went on to get world wide acclaim. A new era had begun, Australian drama was finally recognized. Lawler had successfully constructed a realistic representation of Australia that grasped a true and realistic Australian. He achieved this through the use of dialogue, setting, plot and characterization. This is why The Doll is viewed as important in the Australian theatre evolution. 7) Lawler’s construction of his characters set The Doll apart from prior Australian productions, and also helped revolutionize Australian theatre. Lawler’s characters come across to the audience as ordinary people with authentic and realistic constructions. Very unlike the characters in previous productions who were over emphasized and stereotypical†¦ 8) †¦He achieved this through the characterization techniques such as, similar values, dialogue and expressions of the average Australian of the time. Lawler gave his characters simple, colloquial speech, studded with Australian words such as, ‘strewth’, ‘larrikans’, and expressions including ‘up there Cazaly’ and even the occasional swear word. This relatively uncensored representation of characters set a new example for future productions and therefore helped in the evolution of Australian theatre. In conclusion, there is no doubt that The Doll was the turning point in Australian theatre history. It prompted a new evolution in theatre as proven by new battles for freedom of speech and an introduction to multicultural theatre. Most importantly The Doll inspired the production of many more Australian plays which received world wide acclaim. Australia finally found its national identity and The Doll had introduced a method of reproducing Australia’s wonderful culture onto both the Australian and international stage. That is why The Doll is important in the context of Australia’s theatre evolution.